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Grounds closed for daytime experience

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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American Sign Language Tours at A Merry Prairie Holiday

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Fun in the Forge

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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A Merry Prairie Holiday

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American Sign Language Tours at A Merry Prairie Holiday

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- Event Series

A Merry Prairie Holiday

1 event,

Woodworking Unplugged: Spoon Carving

January 25, 2025 @ 9:00 am - 3:00 pm

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Learn how to carve a simple spoon in this one-day, beginner friendly class. Lessons will cover safe carving techniques, tools, differences in carving greenwood* and “dry” wood, and the use of finishes. Finally, students will be given ample time to carve a simple spoon design as part of a group session. This process will further develop the skills and passion to continue carving on your own. All tools and materials are provided. Learn more about our historic classes.

This class is for individuals ages 14+. Anyone under the age of 16 must register with an adult.

Purchase Tickets

*Although greenwood carving will be discussed in class, actual carving will be done with dry wood for ease.  


Saturday, January 25: 9 a.m.–3 p.m.
Saturday, April 26: 9 a.m.–3 p.m. 

Location: Modern Woodshop, location #37 on map


Members: $130 | Nonmembers: $145 (Cost is for each class) 


About the Teacher

Growing up in a family of craftspeople with an interest in history, serious study of historic trades was a no brainer for Adam Oswalt. Early exposure to blacksmithing only cemented that goal. Because of this interest, Adam took part in living history as a hobby throughout his teenage years. From this, he developed a serious interest in material culture studies. That interest turned into a degree in anthropology and geography from Indiana University in 2013 and a strong desire to work in the museum field. 

Although primarily focused on prehistoric archaeology in the Midwest, a well-rounded curriculum led to serious study of historical architecture and material culture of the early 19th century, with a particular focus on vernacular architecture.

Adam’s interests in blacksmithing and carpentry have largely developed into recreating domestic ironware and treenware. He is fascinated by the simpleness of utilitarian items and the inevitable fancy that develops because of such simplistic design, be it the filework on a toasting fork or the chip carved designs on a candle box. Additionally, folk traditions in woodwork and ironware offer up an endless field of study for him, with his attention focusing primarily on Pennsylvania Dutch traditions.